If one thing has been difficult over the past two months it's been getting excited each weekend for new releases. Between January and April is what is considered to be the off-season for films. Most of the releases during this time either aren't stand-out enough/too risky for the summer blockbuster run, or simply not awards contenders. Some of the releases may at one time have been considered for these popular spots, but either were plagued by re-shoots or bad focus group screenings and thus had a release date change.

January only brought one release that was a must-see for me (Liam Neeson's action-packed, Taken which had already seen release in Europe almost a year earlier) and it delivered the goods. February brought the enchanting Coraline (you can check out my review here) and surprised me with a fun slasher flick in Friday the 13th (review also posted).

But now I find myself struggling to remember what movies are coming out each weekend, because there's so much interminable dross out there to distract us (Thanks, Tyler Perry for this weekend's contribution to my list of Movies That Could Kill Me in your increasingly Ernest P. Worrell attempts at film with Madea Goes to Jail). Below are the major releases coming up in March and April that I will be seeing in theaters, and are really the only flicks to have any excitement about (even mild) until summer blockbuster season hits in May. Note: This doesn't include many of the indie or limited release movies since I'm not counting on them being released in our charmingly artistically declined Midwest state.

Watchmen - March 6
Based on the most praised graphic novel of all-time, this Zack Snyder directed picture turns the concept of a superhero team to a darker side for a social commentary on heroism. This one is also going to be released in IMAX and if the trailers are any indication then the visuals alone should make for good theater-going fare. But honestly, if you haven't heard of this film by now, then this movie just isn't for you.

I Love You, Man - March 20
Jason Segel and Paul Rudd team up in this bro-mantic comedy. We profiled the red-band trailer for this film a few weeks back, and it looks to join Forgetting Sarah Marshall as one of my favorite recent comedies. Surely more laughs will be brought in from supporting cast members Andy Samberg (Saturday Night Live), J.K. Simmons (Juno and Spider-Man) and Jon Favreau.

Adventureland - March 27
Superbad director Greg Mottola helms this film that is probably easiest described as Waiting... set in an amusement park (it even has Ryan Reynolds in a similar role as the all-knowing long-time employee). Jesse Eisenberg (Squid and the Whale) and Kristen Stewart (of Twilight pandemonium) are in the roles of romantic leads supported by other park employees including Bill Hader and Kristen Wiig. Check out the trailer here.

Observe and Report - April 10
We've already highlighted the less than stellar poster, and mostly amusing red-band trailer for this upcoming comedy starring Seth Rogen. The trailer wasn't top notch, but I just have a feeling that this one is going to be along the lines of Pineapple Express in turning the action genre on its head with some great 80's nostalgic comedy and action sequences in the form of a rag tag team of mall security guards. Seth Rogen has a career that every comedian should be envious of right now.

The Soloist - April 24
This unfortunately was one of those movies that got plagued by low focus group scores and was pushed back out of awards contention. Way back. The trailer makes the film look very heartwarming and containing great performances from both Jamie Foxx and Robert Downey, Jr. I genuinely laugh everytime Foxx points to the sky and asks Downey, "Are you flying that plane?" And Downey says nonchalantly, "No, I'm right here." Check out the trailer here.

This is a short list, and while it could be made long with the aforementioned indie and limited release films, these are the ones that I'll be able to realistically catch, and therefore am already excited. If you're angry that I didn't put down Fast and Furious or Race to Witch Mountain then sound off below.

If there's one thing I hate, it's when movie advertising creates a swarm of misinformation in an audience with all of the name dropping that is done in trailers. Who knows how many people still think Tim Burton directed The Nightmare Before Christmas. While that's not an earth-shattering mix up, when you mention a name like Burton or Steven Spielberg as the producer of a film, the only thing that registers is the name. Obviously that's how to sell a movie, but that's not how you create respect and real recognition for a film or its director.

Having said that, I really hope people learn the name Henry Selick (the guy who actually directed The Nightmare Before Christmas) because he's truly a filmmaker with a unique vision, and has a very secure niche in the increasingly impressive realm of stop-motion animation. It's his creativity and dedication to stop-motion that shines in the mesmerizing adaptation of Neil Gaiman's best selling children's book Coraline.

From the opening credit sequence, the intricacy of the animation and tone of the film is easily seen. This is a twisted world where even the simple stitching of a small doll, and the placement of black button eyes has a creepy and ominous feel to it. Our story follows Coraline, a slightly misunderstood and ignored girl who is just looking for some social interaction. Her parents aren't neglectful, they're just not entirely interested in Coraline's endeavors (for that matter they aren't that interesting themselves). Coraline and her family share a large house (like a tri-plex) with two fat old stage performing women, and a crazy rat circus trainer and live down the road from an adventurous boy named Wybie and his grandmother.

These characters don't exactly entertain or occupy Coraline more than a fleeting instant and she's bored beyond belief until she finds the door; a small door, barely big enough for a person to fit through. The door is bricked shut during the day, but then at night, it leads to a house not entirely different from her own...at least at first. She finds her family in the house but much more loving and caring, (even exciting and at times wacky) almost like a dream. Even the characters who live in the tri-plex are better versions of themselves. Oh, and they all have buttons for eyes. There's good food, gifts, and magical wonder, all for Coraline. But then things get weird when her "other parents" in this world ask her to stay, on the condition that she replace her eyes with buttons.

From then on, the dream isn't what it once was. Coraline quickly begins to learn the lesson of being be careful what you wish for. Her once sweet "other mother" becomes a twisted, sullen version of herself, and is nothing more than a witch-like (or maybe spider-like) woman. Coraline soon finds herself in peril and realizing the horrifying thought that she may not see her real parents again.

Similar in style to The Nightmare Before Christmas, Henry Selick crafts this amazing world for the story to exist in with gothic imagery and dingy colors contrasted to the saturated and bright "other world". In this world, it's normal for Coraline to have blue hair, and her friend Wybie to drive around with some sort of skull painted camera-helmet. The animation is flawless. I can't even count how many times I was taken aback by the action on screen and just filled with awe and respect for the amount of time that goes into crafting each scene. These animators workdays usually consist of getting about 3 or 4 seconds of the film shot in a day. That's unbelievable. Dakota Fanning provides a perfect mature and wise-for-her-age voice for Coraline, and Teri Hatcher is great transforming from Coraline's bland real mother to the threatening "other mother." Their voices bring these characters to life right along with the smooth stop-motion animation.

And what really immersed me in this film is seeing it in Real D (the new 3-D). It adds so much depth to the picture like you're watching it happen in front of you. 3D has lost it's gimmick of just having things come flying at the screen (though that's all the more cool with the great progress 3D technology has made). But I had the most childlike wonder and feelings when the door to the "other world" opened and the passage literally stretches backwards into the screen. Coraline shines and can blow many computer animated movies out of the water with it's attention to detail and well crafted story. Just like Coraline, you will find yourself enamored by this new world. However, you won't have to take your eyes out and replace them with buttons. But you might want to do that if you see The Pink Panther 2.

A few days a go, we gave you a look at John Newbery Medal recipient Neil Gaiman's favorite trailer for the film adaptation of his book of the same name, Coraline. Well today, we also have word that director Henry Selick has a favorite trailer of his own (at least according to Ain't It Cool). Much like Gaiman's choice for the trailer, this one gives you a much better feeling for the film, and it's much darker and creepier in comparison to the theatrically released trailers. While the movie is based on a book intended for kids ages 9-12, I'm sure there's going to be some scared little kiddies out there. Those button eyes even freak me out and I'm almost 23 years old, but then again I'm scared of snow (not really, just kidding, but seriously it's awful). Anyway, check out Selick's favorite trailer for Coraline below. This one is going to be worth checking out if only for the fact that it will be available in 3D at some venues.

On February 6, director Henry Selick (Nightmare Before Christmas) sees his most recent stop-motion feature film hit theaters. Coraline follows the curious adventures of a young girl as she discovers a secret door in her new house that leads her to some sort of alternate version of her very own life. But this new version of her current life is somehow better, like a fairytale, that is until her alternative parents decide they want to keep her there forever.

Dakota Fanning voices the lead role of Coraline and Desperate Housewives Teri Hatcher and The Daily Show's John Hodgman step in as Coraline's real and alternate parents. The film is based on Neil Gaiman's children's book of the same name. Gaiman also wrote the novel turned film Stardust and co-wrote the screenplay for Robert Zemeckis' Beowulf.

Below we have the trailer that Neil Gaiman himself has been promoting and linking like crazy all over Twitter. His linking actually prompted me to ask him via Twitter, how much input he gets on trailers and posters promoting the film (I wasn't expecting much despite the fact he wrote the book). His answer: "I always get input. Sometimes my input 'That's dreadful,' and sometimes the reply is 'Tough.'" His short and concise answer is limited by Twitter's 140 character limit in micro-blog updates but the point is clear. It's really sad that when the creator of an intellectual property has the chance to see his work transformed into a new medium and he's completely disregarded at times. Obviously I don't know any of the key details, but this is definitely something I'm sure happens frequently with adaptations.

Anyway, the Neil Gaiman approved internet only trailer is embedded below. Enjoy!